As a former talent booking agent using the William Morris Agency and founder of , I let you know that reviewing demos can be both a curse plus a blessing. Even as demos assemble on the desks in A&R offices and record companies professional?s office floors at the same time, I can almost guarantee the great majority of demos
- Won’t have a chance
- Don’t get heard, at the very least with the major A&R folks instead of via a pres-screening process utilizing college interns
- It might not be also the music activity itself, nevertheless the packaging and marketing colors, etc which might be used by the artist press kit that resulted in artist contract denial.
What makes to get a master quality demo? What makes for a master quality demo which gets heard? These are great questions and I let you know that the host of folks can have many … Read the rest